What do Frederic Church’s landscapes, New York’s Central Park, and Niagara Falls Reservation have in common? In this virtual discussion, Rebecca Bedell argues that, beyond their shared aesthetics and Church’s involvement with all three, they are all, in a sense, memorial landscapes.

Join top interior designers Sheila Bridges and Young Huh for a very special virtual opportunity as they reflect on Frederic Church’s interior design aesthetic, sharing thoughts on the carefully curated rooms of his artist-designed house at Olana. This lively talk will be moderated by esteemed journalist Mitchell Owens.

How can landscape painting serve as a source of refuge and self-reflection in today’s challenging world? During this virtual webinar, Cuban American artist Lydia Rubio will discuss how her work reinterprets the notion of “landscape,” taking inspiration from Frederic Church and members of the “Hudson River School.”

During Church’s lifetime, the United States became the largest importer of coffee in the world, sourcing most of their product from Brazil. During this virtual webinar, Caroline Gillaspie will explore Brazil’s impressive agricultural exhibit at the 1876 U.S. Centennial exhibition alongside other artworks depicting coffee drinking in the United States as they reflected the developing taste for the beverage in the 19th century.

The Heart of the Andes by Frederic Church is an exquisite representation of the biological richness of these breathtaking landscapes, inviting curious eyes to explore every inch of this fabulous painting. During this virtual webinar, Dr. Mauricio Diazgranados will guide viewers through a journey traversing Church’s painting, sharing his photographs, adventures, and knowledge with over 30 years’ experience hiking and exploring the flora of these mountains.

During this virtual webinar, learn more about Charles Ethan Porter’s accomplished still life and landscape paintings that were collected by prominent figures like Church and Mark Twain. Curator Erin Monroe will examine the challenges Porter faced navigating racial inequality and prejudices as a Black artist working in the post-Civil War era.