This talk places Olana in a transatlantic history of artist’s houses, and of painter-architects, with the goal of showing the place we love is not an intriguing anomaly but rather the crystallization of widely held dreams. Case studies will include the houses of Peter Paul Rubens in what is now Belgium, John Constable’s family home in the East of England, and William Birch’s “Springland” near Philadelphia, a largely forgotten early American artist’s house that shows the roots of the Olana ideal even in this country. Of particular interest will be the lost houses of Frederic Church’s fellow travelers Albert Bierstadt and Jasper Francis Cropsey.

In this webinar, Dr. Eleanor Jones Harvey shares her once in a lifetime exhibition Alexander Von Humboldt and the United States: Art, Nature, and Culture, which is currently installed at the Smithsonian American Art Museum with plans to open to the public later this year and to remain on view through early January. She will start by sharing some behind the scenes perspective on the years of diplomacy and sleuthing required to assemble this exciting project, to which Frederic Church and Olana are central, including a number of loans from our collection.

Dr. Christine Oaklander is an independent art historian and private art consultant with over thirty years of expertise in the field of American art. Here she speaks on the lifelong friendship between Frederic Church and William Henry Osborn, Church’s principal patron.

After Church’s daughter-in-law died in 1964, having preserved Olana for decades with her husband Louis Palmer Church, her heirs put Olana on the market. An option granted by the Sally Church estate set the race for funds against a ticking clock. David Huntington, a junior professor at Smith College, led the effort, beginning with the restoration of Church’s reputation. Huntington’s group prevented the sale from going forward, raised funds for its purchase, and eventually persuaded Governor Nelson Rockefeller to sign legislation permitting the state to acquire it.

Professor of Art History, Graduate Center, City University of New York, Katherine Manthorne, focuses on Cayambe by Frederic Church. She speaks about Frederic Church’s close study of nature and how he forged a tradition of traveler-art that spans from the 19th century to today.

Olana’s Director of Collections and Exhibitions William L. Coleman, Ph.D. focuses on Tropical Orchid by Martin Johnson Heade. This painting testifies to the complex friendship between artists Martin Heade and Frederic Church and served as inspiration for the upcoming exhibition, Cross Pollination, opening in 2021.