Have you ever wondered what kind of work goes into caring for the delicate and diverse permanent collection of Olana and readying works of art for exhibition? In this talk, we’ll hear from one of the nationally prominent conservators who care for the collections of the New York state historic sites network. Michele Phillips will offer a lively glimpse into the particular challenges of dealing with old works of art on paper, including drawings, documents, engravings, and photographs.

This talk by one of the world’s leading scholars and advocates of Mexico’s rich tradition of textile art will focus on a little known story in Olana’s diverse collections. Marta Turok takes as her focus Olana’s important holdings of uncannily well preserved “rebozos,” traditional shawls primarily used by indigenous women that were purchased by the Church family during their travels in Mexico. She will give a brief overview of the history of the Mexican rebozo and share the challenges facing the future of this emblematic garment, including activities being undertaken for its revitalization.

One of our country’s most prominent curator-scholars shares the unique perspective of his decades-long engagement with Frederic Church and Olana. This personal reflection looks back on how he came to know Church, to study him and his work seriously in graduate school, to work as a curator of his work in groundbreaking exhibitions and publications, and brings the story down to the present day with his bird’s-eye view of the recent fate of Church’s work, including rediscoveries, new research, and the art market.

Frederic Church, America’s first international art star, returned from his travels through the Near East in 1869 filled with inspiration for the great house that he planned to build on his property near Hudson, New York. He turned to Calvert Vaux, an architect well known for his successful collaborations with landscape designers, particularly Church’s friend Frederick Law Olmsted. Dr. Sean Sawyer, the Washburn and Susan Oberwager President of The Olana Partnership, will explore the intensely collaborative design partnership that produced Olana’s Main House.

What kind of world is it that Frederic Church was creating in his Persian-inspired home on the Hudson? This lecture proposes some answers to this question by analyzing three of the interior sightlines within his home and considering the way each distinctively engages with visual cultures of the Near East.

Among the works kept at Olana are a group of ceramic tiles and objects attributed to Ali Muhammad Isfahani, a master of ceramic production active in Iran in the late nineteenth and early twentieth century during the late Qajar period (1789-1925). This presentation examines the imagery, iconography, and provenance of this corpus, particularly focusing on the figural tiles installed at two fireplaces at Olana.